A great article from the Slate reviewing John Curran’s Agatha Christie’s Secret Notebooks.
The contents of the notebooks are as multi-dimensional as their Escher-like structure. They include fully worked-out scenes, historical background, lists of character names, rough maps of imaginary places, stage settings, an idle rebus (the numeral three, a crossed-out eye, and a mouse), and plot ideas that will be recognizable to any Christie fan: “Poirot asks to go down to country—finds a house and various fantastic details,” “Saves her life several times,” “Inquire enquire—both in same letter.” What’s more, in between ominous scraps like “Stabbed through eye with hatpin” and “influenza depression virus—Stolen? Cabinet Minister?” are grocery lists: “Newspapers, toilet paper, salt, pepper …” There was no clean line between Christie’s work life and her family life. She created household ledgers, and scribbled notes to self. (“All away weekend—can we go Thursday Nan.”) Even Christie’s second husband, the archeologist Sir Max Mallowan, used her notebooks. He jotted down calculations. Christie’s daughter Rosalind practiced penmanship, and the whole family kept track of their bridge scores alongside notes like, “Possibilities of poison … cyanide in strawberry … coniine—in capsule?”
Fascinating stuff.
Links
The Mystery of the Messy Notebooks – Why Agatha Christie’s method was utterly deranged.
Agatha Christie’s Secret Notebooks: Fifty Years of Mysteries in the Making
