The Winchcombe: You Know…For Dishwashers

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Check out the new episode of The Winchcombe:

YOU KNOW…FOR DISHWASHERS

Sam disregards his professor’s warnings about the bloodthirsty reactions of Decker toward unions and takes a meeting with the man. Let’s watch what happens…


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April 13, 2011 | No Comments

The Winchcombe: Tasteless

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Check out the new episode of The Winchcombe:

TASTELESS

He may be a little down at the mouth, but THIS Supertaster has TEETH! And he’s ready to give Harley and Decker a LICKING!.


Support The Winchcombe by shopping at Amazon.com!

Click here to go to Amazon.com and buy some junk.

You’ve just supported The Winchcombe. It’s as easy as that.

You’ll get your stuff, I’ll get a kickback. Everyone’s happy.

April 6, 2011 | No Comments

The Winchcombe: Not That Simple

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Check out the new episode of The Winchcombe:

NOT THAT SIMPLE

Sam has decided that a labor union IS the way that he wants to proceed. So he goes to his professor for advice.


Support The Winchcombe by shopping at Amazon.com!

Click here to go to Amazon.com and buy some junk.

You’ve just supported The Winchcombe. It’s as easy as that.

You’ll get your stuff, I’ll get a kickback. Everyone’s happy.

March 30, 2011 | No Comments

The Comics Journal Interviews Cartoonist Chris Ware

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From an interview in The Comics Journal:

Filmic language sort of took over comics in the 1940s and ’50s with adventure strips. I think that thinking of the panel as a camera is really…well, it’s one way of doing it, certainly, but the advantage of being a cartoonist is that you are not looking out into the world to make your work, you’re looking into yourself. So if you think of the panel as something that you are looking through, then it’s kind of a backwards way of thinking about it. If you’re going to use the innovations of film directors to communicate emotion then you’re just falling back on a crutch that I think is not specific to the medium in which you are working. So I was trying to find other ways of communicating things that were more endemic to comics.

It’s interesting to get a little insight into Ware’s unique style and worldview.

March 29, 2011 | No Comments

Where the bad moods come from

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From a Wired article by Jonah Lehrer:

…the basic idea behind ego depletion is that self-control and willpower are limited cognitive resources. As a result, when we overexert ourselves in one domain – say, when we’re on a strict diet, or focused on a difficult task for hours at work – we have fewer resources left over to exert self-control in other domains.

Consider this 2007 study: The scientists told subjects to refrain from eating a tempting chocolate donut for a few minutes. Then, they insulted these poor (and probably hungry) experimental volunteers. Not surprisingly, those who had successfully resisted the donut were more likely to get aggressive in response to the insult. Or look at the medical literature, in which people on diets are typically “irritable and aggressive.” (This is the so-called cranky dieter effect.) Although we’d like to be happy and polite, those positive moods take cognitive work, and our brain is too tired to care. We lose our temper because we lack the willpower to swallow our angry words.

Yep.

Come 3:30 or 4:00, my kids experience myriad variations of “STOP! You must not hop on Pop!” in ever-increasing volume.

March 28, 2011 | 1 Comment